Category Archives: rip

DJ Mehdi RIP

Wow, I hate to hear about new music this way, but the influential DJ Mehdi of Paris has died at the tragically young age of 34.

DJ Mehdi

DJ Mehdi

The quick background on his short life, “Mehdi Favéris-Essadi was born in 1977 in the suburbs of Paris. He got his start as a hip-hop producer, and found his signature sound by combining the style and attitude of hip-hop with elements of electro and house. Arguably his most important break came in 2006 when he released his album Lucky Boy on Ed Banger Records, the Parisian label that would be his home for the rest of his career. Over the years he collaborated with the likes of Daft Punk, Cassius and Chromeo. His most recent project was a collaboration with Riton called Carte Blanche. DJ Mehdi is survived by his wife, the French model and artist Fafi. Our thoughts are with his friends and family at this time.”

rip

Early Morning, April 4

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[Source]

Arthur C. Clarke has died

Arthur C. Clarke

Paul Raven dead of a heart attack

Paul RavenWow, here’s an unexpected blast from the past, Paul Raven, bass player for industrial bands that I used to love like Pigface and Murder, Inc., as well as Killing Joke and Ministry contributer, has died in his sleep of a heart attack in France at the age of 46. “MINISTRY bassist Paul Raven was found dead yesterday (Saturday, October 20) in a private home in a small French village on the Swiss border after suffering an apparent heart attack. Raven (who is also known for his work with KILLING JOKE and PRONG) was in Geneva working with French recording artists TREPONEM PAL on their new release alongside drummer Ted Parsons (PRONG) and members of THE YOUNG GODS. Born in Wolverhampton, UK on January 16, 1961, Paul Vincent Raven established himself with his work in the seminal post-punk/industrial act KILLING JOKE after he replaced the band’s original bassist in 1982, recording and touring with the group throughout its most commercially successful period, performing on “Fire Dances”, “Night Time” and “Brighter than a Thousand Suns”. Throughout his extensive career, Raven participated in other collaborations, including PRONG, MURDER, INC., PIGFACE and GODFLESH. Most recently, Raven was nominated for a 2006 Grammy for “Best Metal Performance” for his work with MINISTRY’s Al Jourgensen, with whom he had begun collaborating in late 2005 on the MINISTRY release “Rio Grande Blood”. After a 2006 world tour with the group, Raven helped Jourgensen and PRONG’s Tommy Victor pen the latest MINISTRY CD, “The Last Sucker”, which is also the band’s final studio release.” While much of the industrial music I dug years ago (listed above, and bands like Skinny Puppy, Nitzer Ebb, Revolting Cocks and the like) haven’t stood the test of time, I need to break out the Murder, Inc. CD and give it another go. The combination of rhythm with Chris Connelly’s vocals made it a classic industrial record, with Paul Raven and the then current incarnation of Killing Joke.

Jazz drummer extraordinaire, Max Roach dies 83

Max RoachHard bob pioneer Max Roach died last week at 83 in Manhattan. His contributions to Jazz are immense, as he likely played on far more Jazz recordings than I knew about, over 70 in all. He’ll always be one of the top Jazz drummers, and someone I’ll listen to for the rest of my days, since his recordings touched so many classics. There some great background on his life and achievements out there, here are some select highlights. He got his first break at, “…age 16, filling in for three nights in 1940 when Ellington’s drummer fell ill. Roach’s performance led him to the legendary Minton’s Playhouse in Harlem, where he joined luminaries Charlie Parker and Dizzy Gillespie in the burgeoning bebop movement. In 1944, Roach joined Gillespie and Coleman Hawkins in one of the first bebop recording sessions.” He was a giant in the jazz world, and seemed to play with all of the others during his lifetime, an amazing legacy. “On his way to becoming known as perhaps the greatest jazz drummer of all time, Roach collaborated with what seems like all of the budding superstars of the insular jazz world at the time, including Charlie Parker, Dizzy Gillespie (who he joined for one of the first-ever bebop recording sessions), Miles Davis (Roach played on the 1949-1950 Birth of the Cool sessions), Thelonious Monk, Sonny Rollins, Bud Powell and Charles Mingus. In 1952, he and Mingus founded Debut Records, one of the first musician-run labels. One of the short-lived outfit’s most notable recordings was a Toronto performance featuring Roach, Mingus, Parker, Gillespie and Powell. Roach formed a “hard bop” quintet with trumpet player Clifford Brown (ed- and Richie Powell) in 1954

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