jennybig

Posted by & filed under art, media.

Jenny Holzer 'Truisms' 1977

Jenny Holzer 'Truisms' 1977

I’ve long been a fan of Jenny Holzer’s art, dealing with text, originally printed as photostat, but later displayed on billboards, in Times Square on the big screen (pictured) and later projected in huge letters on buildings. The idea of presenting ones ideas, or as in this case, declared maxims for her Trusims. I can’t recall where i first came across this piece, but I love reading through them all, with the one “abuse of power comes as no surprise” being my favorite. Even after I forgot about this piece, I never forgot that line and thought of it often. I mean think about it, does that ever *not* happen? She’s an American artist, born in 1950 in Ohio, who started using text as her primary means in the late 70s. An original version of the piece is now part of The Museum of Modern Art (MoMA) in New York, and they described it as “…her pithy, ironic, and often disturbing statements have been presented on posters, T-shirts, baseball caps, and a flashing screen in Times Square, New York.”

Jenny Holzer

Jenny Holzer

The Photostat, Truisms, seen here presents eighty-six of Holzer’s ongoing series of maxims. Variously insightful, aggressive, or comic, they express multiple viewpoints that the artist hopes will arouse a wide range of responses. A small selection of Truisms includes: “A lot of professionals are crackpots”; “Abuse of power comes as no surprise”; “Bad intentions can yield good results”; and “Categorizing fear is calming.”

Holzer began creating these works in 1977, when she was a student in an independent study program. She hand-typed numerous “one liners,” or Truisms, which she has likened, partly in jest, to a “Jenny Holzer’s Reader’s Digest version of Western and Eastern thought.” She typeset the sentences in alphabetical order and printed them inexpensively, using commercial printing processes. She then distributed the sheets at random and pasted them up as posters around the city. Her Truisms eventually adorned a variety of formats, including T-shirts and baseball caps.

I’m assuming she won’t mind me adding to the way she displays, so I found a version of her text online and present it here, reading through them again now brought a smile to my face more than a few times.

Jenny Holzer (American, born 1950) (1978-87).
(Original) Photostat, composition: 8′ x 40″ (243.9 x 101.6 cm)
(c) 2010 Jenny Holzer / Artists Rights Society (ARS), New York 177.1988

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mogwai_rs_1294596372_crop_550x480

Posted by & filed under music.

UPDATE: from now until Feb 15 you can stream the new cd from Rolling Stone, I’m liking it so far, natch!

While I haven’t seen Mogwai live since I lived in Austin, I’ve been a big fan for many years and by looking at my Last.fm profile, it’s clear that I’ve spent many hours at work trying to figure out some strange server issue, while their droning feedback played in my headphones. After the awesome live release from last year, I’m really looking forward to their next studio effort. Of course the fact that the title of the new disc is Hardcore Will Never Die, But You Will only makes things better; could there be a better title? (and yes, that’s a rhetorical question) I found the video for the next single on Pitchfork, and it’s one of those that really makes me appreciate the fact that some are making really interesting pieces to accompany the music. It was directed by Danny McConnell, who apparently also shot the vid for their other single Rano Pano. While I haven’t seen that one, I really appreciate this one and wonder how much of a pain it was to make. So here they are, Mogwai, with Mexican Grand Prix.

1568460_f520

Posted by & filed under howto, linux.

Ah, does it get any better than this?

You know the drill, you bootup a Linux box and watch the boot messages scroll by on the screen, now prepended with lines telling you the seconds since boot, and then you end up at a shell prompt for login. Ahh, the way Linus intended, epic! Oh, you don’t see that? Instead you see some animated Linux distro logo or something as useless like a progress bar tracing across the screen? Uggh, I hate that, you don’t know what’s really going on behind the scenes, and if Linux is anything, it’s transparent. So, let’s get that fixed for you. Basically as Linux as ‘matured’, we’ve been forced to load and watch more animated boot ‘splash’ screens for branding, and to make Linux more user-friendly, or more likely, more Windows or Mac-like. This way new users won’t run for the hills if they see something like:

[      2.125987 ] scsi 0:0:0:0: Direct-Access        ATA       ST380815AS       3.CH PQ: 0 ANSI: 5
[      2.128065 ] sd 0:0:0:0: [sda] 156301488 512-byte logical blocks: (80.0 GB/74.5 GiB)
[      2.128072 ] sd 0:0:0:0: Attached scsi generic sg0 type 0

Oh the horror, right? WRONG! If you’re like me and you use Linux because you love it and want to know what it’s doing all of the time, you can’t get enough details like this. So, there are a few simple ways to reclaim the way  Linux shows the bootup details; because it’s all still going on regardless of what eye-candy is hiding it. First, we want to tell Linux that we want to know what’s going on, and not be given part of the picture. Let’s edit /etc/default/rcS (in Debian GNU/Linux and Ubuntu Linux) and see what it tells us:

#
# /etc/default/rcS
#
# Default settings for the scripts in /etc/rcS.d/
#
# For information about these variables see the rcS(5) manual page.
#
# This file belongs to the "initscripts" package.

TMPTIME=0
SULOGIN=no
DELAYLOGIN=no
UTC=yes
VERBOSE=no
FSCKFIX=no

What? Verbose=no? I don’t think so. Let’s edit that to read:

VERBOSE=yes

Now we’re getting somewhere! Next up, we need to tell the bootloader, in this case Grub, to give us all the yummy text goodness that a growing body needs! For this we edit /boot/grub/menu.1st, you’ll want to scroll just past the line that reads:

## ## End Default Options ##

Now, look at the first block after that, mine says:

title           Ubuntu 10.10, kernel 2.6.35-25-generic-pae
uuid            53af9894-9fd1-45fe-b102-3ad0134eace3
kernel         /boot/vmlinuz-2.6.35-25-generic-pae root=UUID=53af9894-9fd1-45fe-b102-3ad0134eace3 ro quiet splash
initrd          /boot/initrd.img-2.6.35-25-generic-pae
quiet

And that’s the default kernel Linux is going to boot into if you don’t choose anything. See the kernel line? We can already tell that the commands like quiet and splash aren’t going to get us what we need, so we edit that to read something like:

kernel         /boot/vmlinuz-2.6.35-25-generic-pae root=UUID=53af9894-9fd1-45fe-b102-3ad0134eace3 ro

Then, since it’s Linux and we have full control over what’s going on, we can tell it how we want the text rendered; the color depth and the screen resolution. Basically it breaks down like this:

Depth 800×600 1024×768 1152×864 1280×1024 1600×1200
8 bit vga=771 vga=773 vga=353 vga=775 vga=796
16 bit vga=788 vga=791 vga=355 vga=794 vga=798
24 bit vga=789 vga=792 vga=795 vga=799

So, a simple way to set the screen resolution for text display during boot is by adding the vga= option to the end of that kernel line. For the value to append to it, it all depends on things like your graphics card, the display you’re using, etc, but, most things can at least handle 1024×768 at 16 bit, so vga=791 is a popular choice. So, now the kernel line should say:

kernel         /boot/vmlinuz-2.6.35-25-generic-pae root=UUID=53af9894-9fd1-45fe-b102-3ad0134eace3 ro vga=791

Simple enough, then look at the quiet line at the end of that block, I don’t like the looks of that, so I’ll comment it out for good measure:

#quiet

Now you should quit and save and then issue the command ‘reboot’, or if you want to wow them with how old skool you are:

/sbin/shutdown -r now

Ah, that’s better :) Now after your machine comes on, the Grub menu will show up for a second, then you’ll be dropped to the almighty text mode that you know you wanted all the time, so you can see everything Linux is doing while it loads and gets ready for work, just as it is supposed to be! Also, I once saw a scene similar to this when I was boarding a Qantas flight in Australia when the onboard entertainment center was booting up, and it looked liked this, but aisle after aisle of it!

This is your captain speaking, enjoy your flight, and Linux!

So, what do you think, is it silly for me to wax nostalgic about such a low level thing as boot messages? Should I not worry that people learning Linux now might miss out on learning exactly what is happening? Do you have even more settings to get lower down? Great, spout off about them in the comments, but if I get criticized too much I’ll break out some, “When I was a kid, we didn’t have a mouse, keyboards were the only way to get work done, and don’t get me started on those file managers…” and so on. ;)

Sleigh Bells

Posted by & filed under media, music.

Sleigh Bells

Sleigh Bells

As always, this was a big music year for me, while attending less live shows I think I’ve bought and listened to more music to (sort of) make up for it. I’m also enjoying the home stereo even more now with my early 70s McIntosh MA-6100 pre-amp/amp, and now even some respectable headphones for work, the Grado SR60i. This year bands introduced via Twitter from other music freaks have greatly helped diversify my palate. I can highly recommend the following for this: @captainsdead, @truersound and @somevelvetblog. (if have other suggestions, leave them in the comments!) So here are the releases that I spent the most time with in 2010, each with a track from each release for you to hear/sample. Leave me feedback as to how my tastes compare to yours, as well as anything I may have missed. Finally, as always with music, see the bands when you can and buy locally, buy often.

1-2-3-4…GO!
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Gorillaz "The Fall"

Posted by & filed under media, music.

Gorillaz ‘The Fall’

Over the weekend, GORILLAZ JUST POSTED their new album The Fall, which was mixed and recorded using Damon Albarn’s Apple iPad during their recent US tour, for free. You can currently stream it (for the price of your email address) on thefall.gorillaz.com – or download it from file-sharing sites, linked to by good chaps such as 2dopeboyz.com. Additionally, a physical release of the album is planned for 2011, bringing to mind the first large scale attempt at this when Radiohead released In Rainbows. If this is a trend I fully support it, and think it’s (one way that) music will be (successfully) distributed in the future.

MORE DETAILS from the elusive Gorillaz on this effort…

All tracks written and performed by Gorillaz using the iPad and additional instruments: Korg Vocoder, Ukelele, Microkorg, Omnichord, Moog Voyager, Melodica, Guitar, Piano, Korg Monotron. Except track 13 written and performed by Gorillaz and Bobby Womack. Recorded between Montreal and Vancouver over 32 days on the Gorillaz North American Tour 2010

The FULL TRACK LISTING is…

    01 PHONER TO ARIZONA
    Recorded in Montreal on 3rd October 2010

    02 REVOLVING DOORS
    Recorded in Boston on 5th October 2010

    03 HILLBILLY MAN
    Recorded in New Jersey and Virginia on 10th and 11th October 2010
    Additional Guitar: Mick Jones

    04 DETROIT
    Recorded in Detroit on 13th October 2010

    05 SHY-TOWN
    Recorded in Chicago on 15th October 2010

    06 LITTLE PINK PLASTIC BAGS
    Recorded in Chicago on 16th October 2010
    Additional Keyboards: Jesse Hackett

    07 THE JOPLIN SPIDER
    Recorded in Joplin on 18th October 2010
    Additional conversations with: Darren ‘Smoggy’ Evans

    08 THE PARISH OF SPACE DUST
    Recorded in Houston on 19th October 2010

    09 THE SNAKE IN DALLAS
    Recorded in Dallas on 20th October 2010

    10 AMARILLO
    Recorded in Amarillo on 23rd October 2010

    11 THE SPEAK IT MOUNTAINS
    Recorded in Denver on 24th October 2010
    Stream and forest recorded in Santa Fe on 25th October by Mike Smith

    12 ASPEN FOREST
    Recorded in Santa Fe on 25th October and in Vancouver on 3rd November 2010
    Additional Bass: Paul Simonon
    Additional Qanun: James R Grippo

    13 BOBBY IN PHOENIX
    Recorded in Phoenix on 26th October 2010
    Vocals and Guitar: Bobby Womack

    14 CALIFORNIA AND THE SLIPPING OF THE SUN
    Recorded in Oakland on 30th October 2010
    Train station announcement recorded at LA Train Station. Additional conversation with: Darren ‘Smoggy’ Evans, Mick Jones, Jamie Hewlett and Tanyel Vahdettin.

    15 SEATTLE YODEL
    Recorded in Seattle on 2nd November 2010
    Featuring the Archie McPhee Yodelling Pickle. Copyright 2008 Archie McPhee and Company www.mcphee.com/shop/products/Yodelling-Pickle.html